In this article we discuss the illusions of freedom and the complicated relationship Black women have with institutions of higher education. We suggest Beyoncé’s performance of “Freedom” at the 2016 BET Awards metaphorically and symbolically underscores the experiences of Black women in college. Through a rhetorical analysis of Beyoncé and Kendrick Lamar’s BET Music Awards performance of “Freedom.” we explore how the venue, visual style, and lyrics symbolize the feelings of unity, frustration, resistance, resilience, struggle, and disposability embodied in the experiences of Black women enrolled at colleges and universities in the United States. Using Black feminist thought and intersectional frameworks we highlight the contemporary struggl...
The surprise release of Beyoncé’s visual album Lemonade sparked heated debate, praise, and critique ...
This thesis analyzes the discursive practices of US Vice President Kamala Harris, US Representative ...
This article argues that in a space of artistic performance Black people can fully imbed themselves ...
I explored Black undergraduate women’s college-going process, defined as the continuous accumulation...
The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depi...
For over 40 years, U.S. colleges and universities have failed to improve racial and gendered enrollm...
In this paper I argue that Beyoncé’s visual album, Lemonade, functions as a textual hybrid between p...
This article examines Beyoncé’s 2016 album Lemonade in the context of black feminist theory, misogyn...
Song is one of the propaganda media for ideolgy. Beyonce Knowless's song “Run the World (girls)” is ...
Colene LindThis essay uses feminist and narrative criticism to analyze the multiple messages produce...
This dissertation is a qualitative study of how Black women undergraduates perceive and discuss thei...
This project is one of reclamation, an attempt to explore and name Black undergraduate women’s exper...
The research focuses on explaining how Beyoncé delivers the message of Black feminist thought throug...
In my thesis, I argue that Beyoncé built up a strong image for herself throughout the years which tr...
This article outlines the distinct logics that govern embodied, affective forms of anti-Black racism...
The surprise release of Beyoncé’s visual album Lemonade sparked heated debate, praise, and critique ...
This thesis analyzes the discursive practices of US Vice President Kamala Harris, US Representative ...
This article argues that in a space of artistic performance Black people can fully imbed themselves ...
I explored Black undergraduate women’s college-going process, defined as the continuous accumulation...
The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depi...
For over 40 years, U.S. colleges and universities have failed to improve racial and gendered enrollm...
In this paper I argue that Beyoncé’s visual album, Lemonade, functions as a textual hybrid between p...
This article examines Beyoncé’s 2016 album Lemonade in the context of black feminist theory, misogyn...
Song is one of the propaganda media for ideolgy. Beyonce Knowless's song “Run the World (girls)” is ...
Colene LindThis essay uses feminist and narrative criticism to analyze the multiple messages produce...
This dissertation is a qualitative study of how Black women undergraduates perceive and discuss thei...
This project is one of reclamation, an attempt to explore and name Black undergraduate women’s exper...
The research focuses on explaining how Beyoncé delivers the message of Black feminist thought throug...
In my thesis, I argue that Beyoncé built up a strong image for herself throughout the years which tr...
This article outlines the distinct logics that govern embodied, affective forms of anti-Black racism...
The surprise release of Beyoncé’s visual album Lemonade sparked heated debate, praise, and critique ...
This thesis analyzes the discursive practices of US Vice President Kamala Harris, US Representative ...
This article argues that in a space of artistic performance Black people can fully imbed themselves ...